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c. 1445 – May 17, 1510. Italian painter.

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Francisco de herrera the elder
Der Besenbinder

ID: 81169

Francisco de herrera the elder Der Besenbinder
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Francisco de herrera the elder Der Besenbinder


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Francisco de herrera the elder

Spanish Baroque Era Painter, ca.1590-1656 Spanish painter. His early works are in the Mannerist style. Under the influence of Francisco Zurbaren, he developed the naturalistic style seen in his four scenes from the life of St. Bonaventure (1627). About 1650 he moved to Madrid. His last documented work, a painting of St. Joseph (1648) influenced by Anthony Van Dyck, features elongated forms and elaborate draperies. He achieved considerable fame in Sevilla, where Diego Velezquez was briefly his pupil. His work marked the transition from Mannerism to the Baroque. His son, Francisco Herrera the Younger  Related Paintings of Francisco de herrera the elder :. | La Fuite en Egypte | David and Goliath | last supper altarpiece | The Death of Major Peirson,6 January 1781 | Bailed Up |
Related Artists:
Jerome-Martin Langlois
French Academic Painter, 1779-1838
William Hamilton
English Painter, 1751-1801, was an English painter and illustrator. Hamiliton was born in Chelsea, London, but travelled and worked in Italy with Antonio Zucchi for several years. He trained first as an architectural draftsman, but soon moved to theatrical portraits and scenes from plays. Hamilton became very well known for his paintings depicting episodes from the plays of Shakespeare and for his illustrations of poems. He was commissioned to create works for John Boydell's Shakespeare Gallery, Macklin's Bible and Bowyer's English History. These were widely reproduced in popular prints. Francesco Bartolozzi engraved a number of Hamilton??s best known works. He also painted modern events, such as the execution of Marie Antoinette, in the manner of epic historical drama. Hamilton's style shows the influence of the cult of sentiment typical of the period, resembling the work of Angelica Kauffmann. He also sometimes adopts aspects of Fuseli's dramatic distortions in composition and figure drawing. He became an associate member of the Royal Academy from 1784, and was made a full member in 1789.
John Evan Hodgson
painted The french naturalist in Algiers 1879






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